Monday, 17 May 2010

WHEN THE COMICS WENT TO WAR


In an age where war is real some would say that that there is no place for war stories in comics. So, it was good to find a book that put the history of the war story in comics into context.
The story goes back to 1855 with 'The Boy's Own Paper' and 'The Boys Of England' launched eleven years later. However, in 1879, Lord Shaftesbury was moved to comment that many of the stories in these and the penny dreadfuls of the time encouraged the growing street crime. The stories that emerged following those comments encouraged a turn towards the acts of heroism in war - most of the stories taking place on land and sea during the Napoleonic and Crimean Wars. Acts of derring do that encouraged young readers to join the Army and Navy of the time.
Many of the big names were to write these tales and included Sir Arthur Conan Doyle, R.M.Ballantyne and G.A.Henty who was to edit 'The Union Jack' (1880).
With the advent of the Boer War more and more comics began to appear all with stirring tales.
For many years the comic stories came in prose form and the die had been set.
An interesting reproduction of a story from 'Chum' in 1913 carried a curious warning:
'NOTICE. - This story is not intended to stir up race hatred, but is written as a true picture of what would happen if a great Continental nation attacked our country." The story by Captain Frank Shaw titled 'The Swoop Of The Eagle' saw England at war with Germany almost a year before it became reality.
This book covers the history through to the demise of the comics in the 1990s with the death of 'Victor' and 'Eagle'.
But it brings back the heroes of our time. Biggles, Battler Britton, Rockfist Rogan, Braddock V.C., Paddy Payne, Sergeant Rayker, 'Sniper' Dennison and many, many more.
And the Deathless men of 'V For Vengeance'.
The adventures of 'Sniper' Dennison was one of my favourites. The writing was somewhat darker and the descriptions of combat very vivid. Through this book I discovered that the writer, Alan Hemus, actually trained as a sniper during the second world war.
The evolution from prose to picture stories are covered to the evolution to the 70s comics Warlord, Battle and Action comics.
Adam Riches with Tim Parker and Robert Frankland have put together a very informative book well illustrated with comic covers, with sections from both strips and prose.
The final chapter is a comic in itself with the complete reconstruction of a comic that covers the history of war comics - including a piece with the controversial Hellman.
For comic fans this is a must have.

Friday, 14 May 2010

ALAN WAKE


14th May 2010 - a day that will live in - well, something or other.
But it has been one hell of a long wait for this console game to hit the - well, the console.
I seem to recall this title going around back to about 2005. It never materialised.
Even the promised 2010 release seemed to be going backwards. First it was going to be April and then back to the 21st May but, my guess, is that with the release of 'Red Dead Redemption' on the same day it was rushed to a week earlier.
So was all the hype worth the wait?
I do believe so.
It looks good and feels good - and a good game for writers.
That's the plotline - a writer wakes up in a lonely cabin in the woods only to find that he is a character from one of his own books that he has yet to write.
Confused? Well, there is a lot of time-shifting that the player has to keep up with but there you go.
Billed as a psychological thriller this has undertones of Stephen King. Yes, there are hints of 'Bag Of Bones' (the opening is a clue) and 'The Dark Half'.
One does go along with the media's idea that this is one of those 'must have' games and will, no doubt, top the charts for weeks to come.
Apart from the standard edition there is a Limited Edition that comes with a host of goodies. A Bonus disc that shows how the game was made. A CD Soundtrack and a dashboard piece of wallpaper. Also, the book of the game that makes for interesting reading.
All this inside a book cover.
As you can guess I have the Limited Edition and I think that with all the extras it proved value for money.
Available only on the XBox 360.

One thing to add. Many games have good soundtracks - 'Silent Hill' and 'Red Dead Revolver' come to mind. A soundtrack album issued with the game would be a good idea.

Thursday, 29 April 2010

A RESULT! WESTERNS MAKE A COMEBACK

Well the good news is that the good ole western is back on the shelves of a British store.
So there I was in our local branch of Waterstones when I just stopped dead in my tracks. Right there in front of me was a display of westerns. Not the greatest display but a display just the same.
After checking out the shelves I found more titles tucked away including Pete Dexter's 'Deadwood'.
So, let us give Waterstone's a great big hand.
Now, we just have to give W.H.Smith a wake up call.
And, yes, it goes to show that the Tainted Archive's Wild West Monday initiative does work.

Sunday, 18 April 2010

A FISTFUL OF LEGENDS: Darke Bounty by Peter Averillo



At the age of sixteen most kids are studying for their GCSEs; chatting on Facebook or their mobiles or taking time out playing on a games console. True to form Chantel was no differant to any other teenager yet she was adding another string to her bow as a writer.
In her own words writing was not at the top of her agenda - she did enough of that at school. Like many of her age she did keep a diary and dabbled in poetry writing.
So why attempt a western? And in an age when young people were unaware that the genre existed.

"The challenge. I took a book to school and found a boy who did read westerns. He had not heard of the writer but when I told him that it was about the way child abuse had affected the bad guy it raised a lot of interest among my friends. I mean the writer highlighted things that affect us in the modern way of life."

So, the story itself. Three men hold up a stagecoach driven by a female known as the breed woman. It is said that it is bad luck to hold her up and that proves true as a bounty hunter catches up with each of them.
A simple story but there is so much more within the prose.
A female bounty hunter - could such a person exist?

"Yes, such a person could have existed.
The internet has been a good place to go. First off, Charlotte Parkhurst better known as Charlie or Charley Parkhurst was a female stagecoach driver though she dressed as a man to do it. After her death stagelines did take on female drivers though they were just a handful.
Then there was Sarah Skull (or Scull) who shot down twenty three men. More than Billy the Kid. Add to the list Pearl Hart the stage robber and haulage wagon driver and Belle Starr who led a bunch of outlaws. Makes me wonder if Martha Jane Canary (Calamity Jane) did more than is attributed to her.
So along those lines a female bounty hunter like Morgana Darke could have existed - but, then, as the Sheriff Rick Blaine says 'what man's going to admit to be taken by a woman.'
But then again each character has their part to play and I think that it all comes across."

What was your ideas behind the creation of your character?

" I wanted to get away from the stereotype. You know, the woman who had to rely on a man to back her up. Read books like 'Lone Star' or 'Angel Eyes' series there's always a hero there. Nor did I want a character who was some kind of sex object. Something like 'Hannie Caulder' who does what she has to after the death of her mentor. A liberated woman who was not totally feminist. A survivor.
Morgana Darke, is also half Romany gypsy. Most times a gypsy turns up in a movie or a book then they are Basque gypsies. But there were Romany's who settled in South Carolina and Tennessee and some of those moved west. Their roots go back to the 1600s and were brought to America as prisoners on the transportation system. Many were horse traders."

Why did you write under the name Peter Averillo?

"Read the story and take a look at Morgana's last lines."

Friday, 9 April 2010

Australian Rules Football: ST. KILDA v COLLINGWOOD

So there we were bacon sarnies in hand and a good supply of coffee savouring the atmosphere of the scene at St.Kilda's ground at Etihad Stadium.
The Saints were at the top of the league having won their first two games and were about to face off against the Collingwood Pies.
From the start it was a very physical game and the Pies looked determined as they opened up the scoring with one goal and a behind netting them 7 points. But the Saints hit back with two goals of their own and two behinds.
The first half was marred by an injury to forward Nick Riewoldt who was taken off with a suspected hamstring problem after a marking contest.
The first two quarters were tight and the Pies showed some real skill with passing and possession. Though scoring goals had problems. All through a game that swung the lead between the teams there was always a 3 point difference.
By the halfway point and an exciting third quarter that produced nothing of value it looked as though the Pies were going to win the match. It was during this third quarter that defender Sam Fisher was knocked unconcious. He returned to action half way through an exciting final quarter.
The Saints came on to the park looking as though they were the hungrier side to win the match and hammered home three goals in what seemed as many minutes. The Saints emerged as victors.
Final Score: St. Kilda: 10 - 9 - 69
Collingwood: 4 - 17 - 41

Monday, 5 April 2010

Blu-Ray: And The Point Is?

Having an HD tv it was suggested that I invested in a Blu-Ray DVD player.
OK - so off I toddled and bought one along with a copy of the new '2012' Blu-Ray DVD.
Plugged it in and put in DVD but when I pressed 'Play' nothing happened.
At first, I thought, dodgy player. Then I thought maybe it was the DVD at fault.
So I checked the DVD on my son's player and he got the message 'Play Prohibited'.
But when he clicked the OK button on his remote we were up and running.
Yet, still no go on my own player.
Went to the troubleshooting section of the Instruction booklet - but no help there.
Right at the back there was a note in capital letters that (I've condensed this bit) explained that Blu-Ray discs were constantly evolving to the point that not all Blu-Ray discs will play.
So, it seems to me that both manufactures of these DVD players and the discs need to get their act together.

On the plus side - and there is one - when I shoved in a normal DVD like the newly released Spaghetti Western 'The Great Silence' I was gobsmacked by the clarity of the picture and the crispness of the sound quality.
In fact, the normal DVD looks just the same as the more expensive Blu-Ray discs. So when you see dust swirl around John Wayne's boots you see dust not a smoky dust cloud. But then this may be down to the fact that the picture you see is boosted to 1080ps (whatever that is).

I guess like all things new there are always plus and minus about them. I like things that do what they say they do but I won't be investing in any more Blu-Ray discs. I'd sooner spend my money on a film that plays just as good as one that costs twice as much that might not play on my player.

Thursday, 25 February 2010

Friday's Forgotten Book: THE SENTINEL STARS by Louis Charbonneau


The Sentinel Stars was published back in 1963.

Thomas Robert Hendley (aka TRH-247 because The Organisation prefers numbers to names) wakes up one morning and decides to go on strike.
East and West have merged and peace has broken out so our hero should be well and truly happy. After all he wears the blue uniform of a 3-day man working off his tax debt with a good job as an architect. He only has to work 3 days a week and everything he needs are right at hand. The Organisation supplies everything even down to his Assigned - a woman that the computers say is ideal for him. There is no intamacy as they live apart but are allowed one hour a week in a Public Intercourse Booth.
There is a target. The day that his tax debt is cleared he will be transferred to a Freeman Camp.
As he wanders around town he meets a young and beautiful red uniformed 5-day girl - they are attracted even though both know that they are transgressing the rules. As an architect he had worked on the design of The Museum where they meet up later in the day. Hendly takes Ann (ABC-331)to the forbidden zone where the sun is shining. He shows her what cannot be seen in the underground city. Agreeing to meet the next day they go their separate ways.
On his way home Hendley stops off for a meal only to discover that his ID tag does not work. As he arrives back at his apartment he is arrested and taken to the Morale Investigation centre. Here he is questioned by a fatherly Investigator about his failure to attend his workplace. When, under hypno-serum, he repeats what he has already said the Investigator gives Hendley a twenty-four hour pass to a Freeman Camp. Not as a reward but as a carrot to urge him on in his work for the organisation and to see just what it is that he has to look forward to.
On the flight to the Freeman camp he is subjected to prejudice for what he is and, though he understands their frustration, he cannot admit that he is one of them.
The Freeman camp is a wonder to Hendley but he soon learns that in this place there is just one rule - there are no rules.
He joins a game of water-polo where a team member is left to drown - winning is far more important. Nobody cares.
Then he meets Nik who befriends him and takes him to the Recreation Hall where there is a 'show' on. Hendley finds himself watching Ann performing an erotic dance. After the show there is a lottery where the winners with the selected ticket numbers get one of the girls. Nik fixes it so that Hendley gets to be with Ann, but his elation is short lived as he is drugged and his identity stolen.
Computers, he is told, do not make mistakes. The records show that Hendley had left the camp on time and that he must remain in the camp with Nik's identity. Escape comes in the form of another like himself. But his return lands him in Court with Ann on the charges of impersonation and rebellion. They are sentenced to permanent exile and released into the desert where they must survive.

It would be easy to say that this book could be compared to or influenced by novels like Huxley's 'Brave New World' or Orwell's '1984' and, maybe, justified. However, I think that this novel set in 2200 can stand alone. The use of uniforms creating a class system; Nik's need to escape the prison camp for Freemen - Nik was born free and berates Hendley about how lucky he was to have a purpose with a job whereas Nik had nothing to get up in the morning for; the lawlessness of the Freeman camp - is it the real alternative? Like, the cliche, is the grass really greener on the other side?
This is a book with a lot more depth than first appears.

While Louis Charbonneau wrote many sci-fi and general novels between 1960 and 1988 he wrote around 20 westerns under the name Carter Travis Young.