Saturday, 17 January 2009
A Couple Of Bits About Books
By joining the site you will receive an invitation to join. This means that you can post details of new books and their covers. It's a site that is publicity driven. At the moment there are only two Black Horse Western writers there. (link in panel)
THE TOP TEN SECOND HAND BOOKS: This comes via the Daily Telegraph of the 5th January 2009.
This was supplied by Richard Booth's Bookshop of Hay-on-Wye, Herefordshire (or mid-Wales - depends on which side of the border you are.
Hay-on-Wye is the second hand bookshop and is the largest in Europe.
1. Kilvert's Diary by Francis Kilvert
2.On The Black Hill by Bruce Chetwin
3.Pride And Prejudice by Jane Austen
4.Self Sufficiency by John Seymour
5.Origin Of The Species by Charles Darwin
6.The Famous Five Stories by Enid Blyton
7. The Mabinogion (I would have expected this book to be higher - it's Welsh, you see.)
8.To Kill A Mockingbird by Harper Lee
9.Food For Free by Richard Mabey
10. On The Road by Jack Kerouac (should be higher - biased as it's a personal favourite)
Friday, 16 January 2009
Forgotten Books: The Big Pick-Up by Elleston Trevor

Wednesday, 14 January 2009
The Battle Of Britain -1940

Friday, 9 January 2009
Friday's Forgotten Books: Von Ryan's Express by David Westheimer

Wednesday, 7 January 2009
Wild West Monday - Monday March 2nd 2009
It is better to read his blog for more information.
For one, I will be out there again because I believe that it is time that bookstores stopped dictating what we read. To me a bookstore is a place that sells books - and that it should cater for all tastes - that is the purpose of a bookshop.
In my interview with Michael D. George he mentioned that books shops no longer catered to the masculine genres.
I still agree with that comment.
So I'm going to change genres for a moment.
Where are the war novels?
Sure, you can buy war books in the non-fiction section but where are the war novels? There was a time when Robert Hale Ltd published war fiction but that market dwindled away to nothing when book shops stopped selling them.
The horror writer Shaun Hutson cut his teeth with war fiction; as Samuel P. Bishop he wrote the three 'Track' western novels again in a climate when the western was fading from the shelves.
So if you don't want the same fate for the western then, please, do something about it.
Nothing happens, in this world, unless you allow it to happen.
Tuesday, 6 January 2009
Thoughts On Comic Books

Each Christmas I buy my children a 'special' present - one that is just from me to them. For the first time I was a bit stumped for something to give to my youngest son - that was until I read an article on 'The Essential Silver Surfer' on THE TAINTED ARCHIVE blog (see panel for link). Said son was overjoyed with that choice.
As I browsed along the shelves of 'A Place In Space' one of our two local comic stores I had to smile at other books in the 'Essential' collections. There was the first volume of 'The Punisher' in his original costume - which was pleasing as it won an arguement with my eldest son.
Usually, when I go into these shops it is in search of something specific and I, rarely, browse. However, on this occasion I stopped for next to The Silver Surfer was 'The Essential She-Hulk'.
As I flipped through the pages it was like going back in time.
In the fifties parents were warned about a new 'thing' coming in from America - it was called 'horror comics'. Parents were warned by 'concerned' groups that these would be damaging to their children. So, we seven and eight year olds began to read these 'Amazing Stories' and 'Weird Tales' that had no effect on us whatsoever - except stimulate our active imaginations.
With these comics came the likes of 'Superman', 'Superboy', 'Supergirl' and 'Superwoman' that were followed by 'Marvelman' and 'Marvelwoman' etc. And, of course 'Batman'. For every man there seemed to be a woman like 'Spiderwoman' and 'The She-Hulk'.
When we moved to Orpington there was a shop at the end of the High Street where comics could be exchanged. I don't know how the proprietor made any money as kids would go in with a bucketful of comics and come out the same way. I never saw any money change hands.
The proprietor was a cadaverous old man with a mane of long white hair. The shop was long, narrow and dark and lit by single, low watt bulb. All the shelves were piled high with comics from the weird to the wonderful and just looked like the setting for some horror movies.
In the early sixties the shop just closed. Many of us just assumed that the old man had died. We turned up as usual to find the shop being cleared out - the workmen were just dumping the comics into cardboard boxes and leaving them out the back. By the next morning they had all disappeared - well, we had all climbed over the fence and helped ourselves.
A couple of years back I wandered back down the High Street and was surprised to discover that it was a comic shop again. I mentioned this to the new owner who was intrigued to hear about the building's past.
As the shop has changed - so, too, have comics. I do wonder how a twelve year old back in the sixties would see something like Frank Miller's 'Sin City'. I guess back then we wouldn't get to see it for it would be on the top shelf.
I was reading James Reasoner's blog (Rough Edges - link on the panel) on the new 'Hulk' movie the other day. The boys and I had seen that movie - but it reminded me that originally the Hulk had been a 'bad' guy until he got his own comic. When he became a 'good' guy I can recall that, in one instance, his adversary was Ben 'Thing' Grimm before he became part of the Fantastic Four.
It could be quite confusing at times characters that were 'bad' guys in one superhero comic would turn 'good' in their own - like Submariner or The Silver Surfer.
While I was in the store they were doing a survey and one of the questions that they asked me was whether I preferred Marvel or DC. I looked at the chap and said that they were just labels for a publisher and that when I was a kid it was the characters that we liked - and when it comes down to it who really cares who the publisher is? It's like asking me whether I wear Nike or Reebok - I wear trainers but I prefer the ones that fit me and I feel comfortable in. I have never bothered about the label on anything. He might as well have asked whether I preferred 'Superman' or 'Marvelman' - neither would be the answer for I read and enjoyed both characters.
I did get an unexpected Christmas present from my youngest son - he must have been thinking along the same lines as myself. He got me the graphic novel of 'Bat Lash: Guns 'n' Roses'. Well, as he's a fan of the group Guns 'n' Roses.....
Sunday, 4 January 2009
Julie London
Julie London was born in Santa Rosa, California on the 26th September 1926 and died in October 2000, after a stroke in 1995, in California.Her parents were vaudeville artists.
Julie London had been a bit part player in movies during the forties when she became one of the pin up girls for the American G.Is during the second world war.
In the fifties she was 'discovered' by Alan Ladd's wife Sue Carol who was an agent who revitalised Julie London's career.
As an actress she appeared in several movies and, probably, her best role was in the Gary Cooper movie 'Man Of The West' (1958), directed by Anthony Mann, where Julie played the only female role.
She guest starred in several TV series like 'Rawhide', 'Laramie' and 'The Big Valley' as well as classics like 'I Spy' and 'The Man From U.N.C.L.E.'. Between 1972 and 1979 Julie London was better known as Dixie McCall RN in the series 'Emergency' in which she starred with her second husband Bobby Troup.
Her first husband was 'Dragnet' star Jack Webb.
Julie London, though, is not remembered just as an actress but for her cool, smoky and sensual singing voice with a range that covered blues and jazz.
'Cry Me A River' is her best known and only million selling disc - not only did she sing it in the 1956 movie 'The Girl Can't Help It' but has turned up in the soundtrack of other movies - the latest being 2006's 'V For Vendetta'.
My own interest in Julie London, the singer, stems from a 1957 Alan Ladd film 'Boy On A Dolphin'. It was a track that had been requested on the BBC Radio show 'Family Favourites'. I was thirteen at the time but Julie London made an impression on me. Believe it or not I did not hear 'Cry Me A River' until the following year during a music class at school.
During her career Julie London has recorded over 30 albums that have included songs that she has composed herself as well as classic tracks. Tracks like Sinatra's 'Fly Me To The Moon', Nat 'King' Cole's ' When I Fall In Love' and Marylin Monroe's 'Diamonds Are A Girl's Best Friend' - and each one Julie London has made her own.
She reckoned that she couldn't sing - a 'thimbleful' she called it - and had to get up close to the microphone to make herself heard. When compared to Monroe, Julie London denied being a 'sex symbol' and just described herself as an ordinary housewife who's family came first before her showbiz career.
Maybe, but Julie London has left a legacy of songs that always remind me of black and white movies and smoky dance halls - and a talent that is missed.